first official mix compilation from mount kimbie

extreme rare library-music-veršffentlichung von franzšsischem disco-pionier aus dem jahr 1978.

the air texture series asks two producers/ performers to select a double cd worth of unreleased music. the only guidance is the music should not be main floor bangers, other than that we get out of the way, allowing them autonomy over their selection. this time steffi and martyn were asked to step up. exciting, since as residents at berghain/panorama bar - two of the most important dancefloors in the worldÉ how would two such respected artists approach our experimental ethos. bringing together contributions from veteran producers such as total science, as one (kirk degiorgio) and stingray, as well as contemporaries actress, vivek and shed, the artists explain in a press release that the selected tracks are all unique interpretations of a leftfield, non linear aesthetic. 26 total tracks including the above mentioned, answer code request, shed, dbridge, appleblim, faltydl, mosca, kink, and steffi and martyn as well.

wrwtfww records is deliriously happy to announce the reissue of the 1981 self-titled album from cult japanese duo colored music, available on vinyl (housed in a stoughton tip-on sleeve) and digipack cd, with liner notes by digger, curator, connoisseur, writer and legend chee shimizu. an incredible mix of cosmic new wave, unconventional disco, avant-garde synth pop, and hybrid electronic funk

ceremony in the stillness is the new album from a-sun amissa - released september 14th via gizeh records and consouling sounds. for its fourth full-length, a-sun amissa plunges deeper than before. guitars come to the fore. heavy, distorted chords are present from the off, complemented by desolate ambient passages of sound. the claustrophobic atmospheres remain but combine with a new density and sonic experimentation to present a huge leap forward in structure and composition

a state of trance ibiza 2018 besteht aus zwei ausgezeichneten sets: das chillige on the beach (cd 1) und das groovige in the club- (cd 2). mit 41 tracks, darunter exclusives, originale und remixes, bietet armin van buuren unvergessliche momente der trance-crowd.

alle drei sets atmen den bewŠhrten -in search of sunrise- spirit und bringen entspannt-groovige trance/progressive-sounds im balearischen ibiza-style. dabei bedienen sich die drei djs exzellenter tracks von namhaften kollegen wie above & beyond, jam el mar, solarstone, ferry corsten, cosmic gate, the thrillseekers, aly & fila, dakota, paul oakenfold oder emma hewitt und ergŠnzen diese mit meist exklusiven, neuen eigenproduktionen. somit wird der sommer 2018 nach einer dreijŠhrigen pause wieder etwas reicher!

2 cd compilation incl. all ibiza essentials 2018

2018 cocoon compilation with 12 fantastic tracks , we love this

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album escape hatch described by vice as a modern masterpiece only hinted at the transcendent power of seahawks music. eternal beams goes further to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunderÉnuminous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraajiÉ flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.

3 cd compilatio incl all club hits ! feat. kerri chandler, tiefschwarz, jerome sydenham, peggy gou, jesse perez and more

surgeonÕs new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories. it has the potential to turn anything from a club visit to a train commute into a collision with the otherworldly.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

afterhours, one of the most iconic series on the global underground label returns with a brand new journey. this is the soundtrack to your post clubbing adventures, the music for the party after the party. over 30 tracks and 2 continuous dj mixes of eclectic electronica, dirty basslines, pitched back techno and blissed out 90bpm moments, all cut up, spliced and layered to create a sonic landscape to get lost in! with music from whomadewho, tuff city kids, matthew dear, howling, trentem¿ller and more.

uppermost will be releasing his upcoming album with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord.

mastered by dj buzz

over 50 of this years biggest tracks spread across three cd s that provide the very best in house, tech house and techno! featuring certified main-room essentials from the worlds leading dj s and producers including patrick topping, kda, bicep, pbr streetgang, darius syrossian, mambo brothers, danny howard, eli & fur, kry wolf, max chapman, dubspeeka, huxley, skream, 2000 and one, carlo lio, ellen allien, gerd janson, tim green, as well as brand new, never before released exclusives from eyes everywhere, mason, george privatti, sergio fernandez, wheats and many more. capture the magic of miami music week, whether relaxing by the poolside, heading to the club or onto the after party. discover this year s future hits with toolrooms seal of approved miami weapons.

fŸnf jahre nach dem hochgelobten debŸtalbum -drone logic- wird der in london ansŠssige produzent daniel avery sein zweites album -song for alpha- via phantasy veršffentlichen. der neue longplayer ist die weiterentwicklung des klanglichen vokabulars von daniel avery. die ideen zu den tracks sind meist unterwegs entstanden: zwischen clubnŠchten und endlosen flŸgen, zwischen stundenlanger autofahrten und unzŠhligen nŠchten im hotel. die 14 tracks auf -song for alpha- sind ein bravouršser handschlag zwischen dršhnenden klŠngen, die ganze tanzflŠchen fŸllen kšnnen und leisen tšnen fŸr ruhigere augenblicke, ambient-momente stehen gekonnt den hypnotisch-schweren technobeats gegenŸber

just a few months after the release of her highly acclaimed album, only silence remains, christine ott proposed a new album to gizeh records for its dark peak series of releases. tabu is an original, live soundtrack, composed in 2012 for the movie of the same name by f.w. murnau and robert flaherty and a performance that she s playing regularly as a cine&#769,,,,-concert throughout france and europe. the magic, the beauty and the incredible light of the movie associated to its astonishing modernity have contributed to the choice of the composer. christine has been shattered and very moved by the movie, the story of an impossible love on bora-bora island, between matahi, a young pearl diver, and reri, a young woman promised to the gods. the circumstances of the death of murnau, prematurely died in a car accident before the film premiere, emphasizes the mystery around this movie. more than a cine&#769,,,,-concert, ott s creation is a black pearl, as is murnau s ultimate movie.

digipack cd, all that must be wartet mit hochkarŠtigen kollaborationen mit lil silva, bonobo und tracey thorne auf. es beleuchtet achtzehn lebensverŠndernde monate, in denen fitzgerald den vielbeschworenen hedonismus der deutschen hauptstadt hinter sich gelassen hat, um ein leben als frisch gebackener familienvater und produzent in london aufzunehmen. mit hilfe eines faszinierenden musikalischen erzŠhlbogens vereint er die unterschiedlichsten emotionalen zustŠnde und injiziert seiner musik eine tragische pop-note. drama trifft frohsinn. nachdenklichkeit tanzt mit ausgelassenheit. ein ausbalancierter longplayer, der im clubnebel genauso funktioniert, wie bei einer nŠchtlichen autofahrt durch verlassene bezirke einer x-beliebigen gro§stadt dieser welt.

moby has released a new single and video for Òlike a motherless child,Ó from his forthcoming album everything was beautiful, and nothing hurt. featuring la-based soulstress raquel rodriguez, Òlike a motherless childÓ is a re-work of the well-known spiritual, with its origins in the slavery of the american south. the track describes the void left when one feels separated from a parent, higher power or similar guiding force. over the years this powerful song has been reinterpreted by the likes of odetta, lena horne, mahalia jackson and van morrison. the album is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds him returning to his orchestral, soul, trip-hop and gospel roots.

it seems somehow surprising that its only now that james zabiela enters the fold of balances compilation selectors. a perfect fit for the series, his unfeasibly intricate approach to djing shinesthrough on this sprawling two-parter, created through a back-and-forth process between his pioneer ddj-rz and ableton and featuring two exclusive new productions from the man himself.

das in berlin lebende, italienische dj/produzenten-duo tale of us hat in den letzten jahren eine rasante karriere hingelegt, die 2017 mit ihrem debŸtalbum -endless- bei der deutschen grammophon ihren vorlŠufigen hšhepunkt erreichte. ihr -fabric 97- mix ist eine eklektische tour de force mit vielen unveršffentlichten und exklusiven tracks, frischem material ihres labels afterlife, sowie profilierten kollegen von adriatique Ÿber efdemin vs. dj koze bis recondite und patrick bŠumel, plus natŸrlich dem eigenen exklusivbeitrag -error error-.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.

das zweite special request-album von paul woolford knŸpft mit 23 tracks und einem multiversum an jungle & rave-sounds, die bis in die frŸhen 1990er zurŸckreichen, nahtlos an sein vielgelobtes debŸtwerk suol music aus 2013 an. und dennoch kennzeichnen ŸberwŠltigende, atmosphŠrische klangebenen, offen-modulare systeme und die einfŸhrung intensiver soundtrack-fragmente eine konsequente und spannende weiterentwicklung des kŸnstlers auf.

incl. tracks von david guetta, alan walker, marshmello, dimitri vegas & like mike, robin schulz, bausa

art-pop meets mongolian throat singing, blade runner meets walter carlos (clockwork orange). tom dissevelt and kid baltan (bowies lieblingsband) meets tame impala!

at mule musiq, weÕve focused on shining light on the many aspects of what electronic music can be, putting out house, techno and ambient releases on our main label, while releasing alternative-leaning dance music through our endless flight imprint. but with the launch of our new label, studio mule, we are stepping away from electronic club music for a bit.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou

laslo, a hungarian producer, and newcomer to the greta cottage woodpile, creates and then inhabits a sonic world that is uniquely his own on minden nap vasarnap. through layers of delays, cavernous reverb, the ever-present crackling high end of light noise, tones and melody flicker through and decay into a washed out dub oblivion.

2 cd mixes by armin van buuren, dimitri vegas & like mike, lost frequencies, martin garrix and many more

arquitectura del sueno 2 cd mixed by svreca

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

this compilation spanning a period of 37 years features burnt friedmanÕs releases and edits thereof from vinyl-only labels (latency (fr), marionette (ca), dekmantel (nl) amongst others) plus 4 hitherto unreleased tracks, making them available on digital formats. friedmanÕs music from 1980 to 2017 covers a broad spectrum of played and programmed rhythmic styles that traverse not only club music from techno, electro and dub, but, above all, trace friedmanÕs own artistic development. a trajectory that owes a lot to his long-standing collaboration with can drummer jaki liebezeit, who died at the age of 79 in 2017. like liebezeit, friedman already explored even and uneven rhythms back in the late 1980s. this selection of 17 tracks documents this pursuit while bringing rough or discarded tracks to light, which did not fit onto any album or were intended for the nonplace label. the compilation runs the entire gamut of his work on percussion, keyboard, samplers and toys of all kinds using various production methods (tape, atari, midi, sampler, hard disk recording, digital audio tape). studio work (instant-composition, programming and recording) underwent major technological changes and revolutions in the 1980s and 1990s, but friedmanÕs distinctive signature style prevails throughout. surprisingly danceable tracks, interrupted by alien atmospheric periods, defy any genre.

23 essential dnb tracks & exclusives! incl. wilkinson, camo & krooked, andy c, hybrid minds, friction, the prototypes

oliver schories features a killer tracklisting on 2 cds with darius syrossian, oliver deutschmann, ramon tapia, anja schneider and many more

3 cds, 69 tracks. inclusive: gestšrt aber geil, starley, robin schulz, david guetta, cheat & codes, clean bandit, martin garrix und vielen mehr

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

rodhads debut album anxious sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps kinder der ringwelt and sšhne der erde as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlins rougher outskirts, as a teenager he was able to grasp the final flashings of berlins mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, 1984 and blindness.

3 cd compilation incl house and disco classics feat. kraak & smaak, tschik, crazy p, sandy b, joey negro, todd terry, mike dunn, hot chocolate , shapeshifters, clivilles & coles, swing 52 , lenny fontana, atfc, gusto, kristine w, joe smooth, gino soccio and many many more

das debŸtalbum von kelela ist ein vielschichtiges, oszillierendes portrŠt, das sich zugleich in die vergangenheit und in die zukunft des r&b erstreckt. was so nach relativ stabilen genregrenzen und zugehšrigkeiten klingt, wird in ihren hŠnden grenzenlos: take me apart steht fŸr sich, es ist ein neues element, das nach eigenen regeln funktioniert, sich aber doch einreihen lŠsst in einen kanon von klangverwandten jŸngeren albummeilensteinen. ehrlichkeit und verletzlichkeit waren schon immer die eckpfeiler ihrer musik auch wenn sie sich gelegentlich gepanzert in avantgardistischen electronica-schichtungen prŠsentiert, und auf take me apart geht sie nun sogar noch deutlich weiter, was den emotionalen tiefgang, wucht und gehalt ihrer message und auch die breite des klanglichen spektrums angeht. nach den lobeshymnen fŸr ihre hallucinogen ep, feature-beitrŠgen fŸr ihre langjŠhrige verbŸndete solange, danny brown oder zuletzt den gorillaz, und nach supportauftritten fŸr the xx, legt kelela mit take me apart den grundstein fŸr eine sehr vielversprechende karriere.

fŸr das wiener kŸnstlerkollektiv sofa surfers steht seit seiner grŸndung 1997 die musikalische weiterentwicklung im mittelpunkt seines schaffens. seit ihrem debut -transit- bis zu ihrem neuesten album 20 loten die sofa surfers permanent die mšglichkeiten von technologie einerseits und kollektivem spiel andererseits aus. 20 jahre bandgeschichte - das ist schon ein grund zum feiern. aber die sofa surfers haben zu ihrem jubilŠum auch noch anderes vor: statt einem simplen -best of- hat man sich nŠmlich etwas ganz besonderes ausgedacht. neben neuen versionen einiger klassiker sind es vor allem die ganz neuen songs, die eine bislang ungeahnte fahrtrichtung vorgeben. dass sich die sofa surfers dabei dennoch stilistisch treu bleiben, ist ehrensache.

house-dj-legende erick morillo prŠsentiert die diesjŠhrige ausgabe seiner -subliminal sessions-, dem institutionellen gradmesser fŸr den aktuellen state of house. mit zwei feurigen mixsets aus knapp 30 tracks zeigt der housemaster, wo im house heute der hammer hŠngt. feat. andrea oliva, mark knight, dean mickoski & roland clark, harry romero, jose nunez, reinier zonneveld, oxia, pachanga boys, kiko, eagles & butterflies, green velvet, thick dick, the deepshakerz und natŸrlich morillo selbst.

though the origin of trance music lies back in the late eighties, there are still tons of trance fans out there whoÕve been enchanted by the early days of the genre. they are the same people whod lose themselves completely in their all-time favorite trance tune and would give anything to hear an all-classics live set. today, their hearts may have skipped a beat or two as armin van buuren released the twelfth installment of his Ôa state of trance classicsÕ series. stacked full of seminal records from the likes of above & beyond, armin van buuren, atb, chicane, cosmic gate, gareth emery, markus schulz, paul van dyk, signum, super8 & tab and more, Ôa state of trance classics, vol 12Õ turns any moment into a trip down memory lane. featuring a grand total of 36 classics in their extended, unmixed forms as well as an opening track that pays tribute to the pioneering efforts of the late robert miles, it stirs the embers of the near-ancient crowd favorites and allows them to entrance the world in the same manner they did years back. for anyone who looks back on the early years of trance with a smile brighter than the sun, a state of trance classics, vol.12 is a must-have.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

conceptual drum n bass album by kos.mos.music, which has been prepared for several years and consists of tracks united in their unordinary commonness. in a word, the general genre of the album is drum n bass, but all the tracks and each in particular are a mixture of different electronic genres based on drum n bass and jungle rhythm. one can hear sounding of idm, ethnic patterns, feel a strong influence of psychedelic electronics and in patches even some techno.
the album is opened by the harsh reality by loucura & dailiv - a powerful halfstep based on kick and bass, hypnotizing pads and drones with putting in trance melody. further dynamics of the album varies from dancefloor rolling tracks by electrosoul system, liquitek, vortex involute to avant-garde dissident & marginal, deep liquid tracks by nclear, triple sky, nummix, basic maneuver, bop & electrosoul system collab and breakbeat/jungle track by pryzma. the album is closed by shamanic bass track by light monday. vinyl version contains exclusive track by m25 & first function with more predominant idm texture.

on limited edition compact disc. no. the disorganisation founded by atomª + material object in 2013 to advance the cause of faceless audio output by no. one in particular are cataloging their 3rd year of existence with no. iii no. iii continues the centuries long tradition, invented by the label masterminds in 2013, of remixing the very concept of a ÔcompilationÕ by slicing, remixing, autotuning and youtubing the entire year of the labelÕs output into the blender for a completely new cocktail that goes beyond merely re-packaging previously released product. although 2016 was a relatively light year for no. in terms of hours of audio output, a famous german philosopher once wrote Ôa samuraiÕs life is not measured in lengthÕ and the mix features two previously unreleased works by the label owners: Ôstill d/aÕ by atomª and ÔiiiÕ by material object. no. iii successfully represents the material released on the label between may 2016 - may 2017 as well as some now declassified transcripts of past communications and unreleased excerpts from future efforts, stitched together with frankensteinian precision and brought to life on the operating table with a blast of atomic energy

the mexican collective future feelings is made up of fernando dimare, juan soto (an existing nang warrior), thomass jackson and dan solo. the talented bunch make accessible dance tunes which are easily at home on the floor or for listening too. after a string of festivals and appearances in south america and a slew of remixes (for artists such as lindstrom, donna summer, goldroom, treasure fingers and the knocks) we are pleased to be releasing their debut album on nang.

what is modern russia? an infinite space filled with skyscrapers made of gas and oil, golden crosses on church domes made of titanium, thousands of multi-floor beehives with millions of concrete honeycombs, where the fate of tired people burn out every evening. sensitive and subtle stirrings of the mind, persistently pushing up towards the light through the bootstrampled dirt, and blackened by ignorance. an infinite space of a centuries old experiment of power over man, and man over power on its way from nowhere to nowhere.
on the 1st of september, mindtrick records will release the new album ÒmuscoviteÓ from russian mysterious electronic music producer delete. his previous full length album Òpredatory things of a minuteÓ already dates back to 2012. after the album he released two more ep s on the label and released his controversial music video called Òa letter to godÓ about the war in chechnya, which gained more than half a million hits on youtube.